Eye Candy Estates May 8, 2025

Top 10 Most Expensive Home Sales in the World: Record-Breaking Luxury Estates

I look forward to Mansion Global hitting my inbox and this article was no exception.  The luxury market has seen some recent sales and I hope you enjoy looking at this list from around the world.

“Since the inception of Mansion Global a decade ago, the pinnacle of the luxury market has climbed ever higher, with records notched in the priciest housing markets in the world, such as Hong Kong, London, New York and Malibu, California.

The sales also reflect the changing nature of wealth, with buyers ranging from Chinese tycoons to Saudi royalty, from Russian oligarchs to American celebrities and entrepreneurs, plus a dollop of generational wealth.

The most expensive home sold in the last decade. Google Maps

Deep Water Bay, Hong Kong, 2017

Price: US$322 million

Buyer: Pan Sutong, Goldin Group

The most expensive home bought in the last decade, and possibly ever, was purchased by former Chinese property tycoon Pan Sutong, chairman of Goldin Group, and once the fourth-richest person in China. In 2017, Pan paid HK$2.1 billion (US$322 million) for a 13,854-square-foot mansion in Deep Water Bay, an area home to Hong Kong’s wealthiest residents. In the years since, Pan’s property business has faltered, he took out three mortgages against the mansion and is fighting bankruptcy.

The ‘Chateau Louis XIV’ in Louveciennes, France. Marc Piasecki/GC Images

Château Louis XIV, France, 2015

Price: US$300 million

Buyer: Mohammad Bin Salman Al Saud, Prime Minister of Saudi Arabia

Europe’s most expensive sale of the last decade goes to Mohammed bin Salman, crown prince and prime minister of Saudi Arabia, who paid €275 million, or around US$300 million, for the extravagant Château Louis XIV in France in 2015. The chateau was built in the 2000s, but designed to look like a 17th-century estate worthy of its proximity to Versailles. It features a 57-acre landscaped park, an actual moat, and an iPhone-controlled fountain.

Knightsbridge, London. LEON NEAL/AFP via Getty Images

Knightsbridge, London, 2020

Price: $273 million

Buyer: Hui Ka Yan, China Evergrande Group

In 2020, when former Chinese billionaire Hui Ka Yan was flying high as the head of China Evergrande, the country’s largest and most valuable real estate company he purchased a 20-bedroom megamansion overlooking Hyde Park in the Knightsbridge section of London for £210 million, roughly US$273 million. In 2022, by the time the buyer was revealed, Hui’s fortunes had changed, with Evergrande at the center of China’s property crisis, and the home was back on the market. Hui was detained by Chinese authorities in 2023 and has not been seen since.

The Peak, Hong Kong. Google Maps

The Peak, Hong Kong, 2016

Price: $270 million

Buyer: Hongtian Chen, Cheung Kei Group

The fourth most expensive home was also purchased by a fallen Chinese tycoon. In 2016, property mogul Hongtian Chen paid HK$2.1 billion, or US$270 million—a record price at the time—for a 9,212-square-foot mansion in an affluent area of Hong Kong known as the Peak. The property has since been seized by lenders, along with several other of Chen’s properties, after his global real estate company, Cheung Kei Group, ran into trouble.

 

220 Central Park South. Google Maps

Central Park South, New York, 2022

Price: $240 million

Buyer: Ken Griffin, Citadel Group

The first American on this list is financial bigwig Ken Griffin, founder of Citadel Group, who purchased four floors at the 79-story 220 Central Park South, a new limestone tower by starchitect Robert A.M. Stern, for $239.96 million in 2019—the highest price ever paid for a piece of residential real estate in the United States. While Griffin is fifth on this list, he may be the biggest spender on real estate in aggregate, having spent more than $1 billion on properties in New York, London, St. Tropez, Miami and Palm Beach, where he assembled a spread for $450 million.

 

 

A three-parcel spread in Port Royal. Google Maps

Port Royal, Naples, 2025

Price: $225 million

Buyer: Unknown

The second most expensive sale in the Americas is also the most recent. This month, a 15-acre waterfront spread in Naples, on the Gulf Coast of Florida, sold for $225 million. The three-parcel property was owned by the DeGroote family of Canada, which made its fortune in the waste-management business. The three parcels were together asking $295 million—while a separate Naples property in the same Port Royal area of Naples is still on the market for that record ask. The deal marks the most expensive sale in Florida, a title that has historically been held by properties along the South Florida coast, in Miami Beach, Palm Beach and their environs.

Villa “Les Cèdres” in Saint-Jean Cap Ferrat, in southeastern France. JEAN CHRISTOPHE MAGNENET/AFP via Getty Images

Villa Les Cèdres, French Riviera, 2019

Price: $220 million

Buyer: Rinat Akhmetov, System Capital Management JSC

Ukraine’s richest man, Rinat Akhmetov purchased the 19th-century Villa Les Cèdres in the South of France for €200 million in 2019, or roughly US$220 million at the time. The 14-bedroom villa was built in the 1830s and was owned by King Leopold II of Belgium prior to the 1920s. It is set on a 35-acre property in Saint-Jean-Cap-Ferrat on the French Riviera. Akhmetov, owner of the biggest industrial conglomerate in Ukraine and the Shakhtar Football Club, owns several $100 million-plus properties in London, as well.

Encinal Bluffs, Malibu, 2024

Price: $210 million

Seller: Jim Jannard, Oakley

James Jannard, founder of sunglasses firm Oakley, sold a 10-acre Malibu, California estate for a record $210 million in 2024, the most expensive residential deal in the star-studded enclave—and taking the crown from the next property on this list. Jannard purchased the eight-bedroom megamansion on Encinal Bluffs, spread across three parcels, for $75 million in 2013. After selling the Malibu spread, he listed a brutalist mansion in Beverly Hills for $68 million.

Paradise Cove, Malibu, California. Google Maps

Paradise Cove, Malibu, 2023

Price: $190 million

Buyers: Beyoncé and Jay-Z

Megastars Beyoncé and Jay-Z purchased a 30,000-square-foot coastal mansion along the Pacific Coast Highway in Malibu, California for $190 million, a record for California at the time. The home in Paradise Cove is located on an 8-acre bluff and was designed by Japanese architect Tadao Ando for the previous owner, art collector William Bell. The Carters, with their three children, were reportedly evacuated during the Franklin wildfire in December 2024, prior to the larger fires that engulfed Los Angeles in January. The house was not damaged.

Central Park South, New York, 2022

Price: $188 million

Buyer: Joseph Tsai, Alibaba Group

Alibaba Group co-founder Joseph Tsai purchased the second most expensive home in New York City—also at 220 Central Park South, through Blue Pool Capital, a firm that manages the fortunes of the two Alibaba founders. Blue Capital paid $188 million for a penthouse on the 73rd story, previously owned by hedge funder Dan Och, in 2022.”

Eye Candy Estates April 23, 2025

SINGLE WOMEN, RICH MILLENNIALS WILL FUEL LUXURY REAL ESTATE THIS YEAR

Two statistics really caught my eye:  First, Its wonderful to see women becoming a more influential buying demographic.  The second one is Millennials’ interest in historic properties.  I hope you enjoy this article from Bloomberg as much as I did.

NEW REPORT FROM SOTHEBY’S INTERNATIONAL REALTY ANTICIPATES A DECEPTIVELY STABLE MARKET THAT WILL CONCEAL MASSIVE DEMOGRAPHIC SHIFTS.

By James Tarmy

 

A view from Armani Beach Residences at the Palm Jumeirah, Dubai. Source: Dubai Sotheby’s International Realty

 

The world’s high-end housing market is poised to settle into a comfortable rhythm, according to Sotheby’s International Realty’s 2025 Luxury Outlook report.

“I don’t think we’re predicting real estate to decrease in value in 2025, but the rate of appreciation might be slowing,” says Bradley Nelson, the company’s chief marketing officer, who spearheaded the report. “After we did this survey of our top agents on a global basis, doing more interviews than we can count, these sales folks on the front line say it feels like a more stable market, with more balanced conditions,” albeit with strong currents beneath the placid surface.

The world’s rich, first of all, are on the move. The Sotheby’s International Realty’s (SIR) report cites a Henley & Partners report that anticipates 135,000 high-net-worth individuals migrating to new countries in 2025, up from 128,000 in 2024. The biggest beneficiary seems to be the United Arab Emirates, which welcomed a record-breaking 6,700 new high-net-worth residents in 2024, with more set to follow.

The living room inside a four-bedroom estate on Mallorca.Source: Sotheby’s International Realty

“It’s a wealth magnet,” Nelson says, “with people coming from the UK and Europe and elsewhere.” He cites tax incentives, golden visas and the lifestyle of certain UAE destinations—Dubai in particular—as draws. There, branded residences are particularly sought-after. “These homes can easily command premiums upward of 25% for roughly the same size and quality as their unbranded counterparts,” says Chris Whitehead, managing partner, Dubai Sotheby’s International Realty, in the report.

Conversely, while the US had the second-highest inflow of rich homebuyers last year, it saw the lowest level of international buyer purchases since 2009, SIR says. Between April 2023 and March 2024, these buyers acquired just 54,300 homes totaling $42 billion. Compare that to 2017, when foreign buyer activity amounted to $153 billion for 284,500 units.

A villa in the hills above the city of Verbania, Italy, has views of Lake Maggiore.Source: Sotheby’s International Realty

Still, Nelson says, “there were some very expensive purchases made by that audience, so I still think that it is a critical component of the buyer pool for the truly super prime real estate.”

Within the US, the vast destruction of the recent Los Angeles wildfires which destroyed some 12,000 structures, many of which were pricey single-family homes, isn’t expected to have an immediate impact. “The LA fires are devastating, particularly when you think of a personal and human level,” says Nelson. “In terms of how long it will take to show up in the real estate market, it is a little too soon to tell. The majority of families right now that have been displaced are really looking for near-term solutions.”

In the year ahead, there could be an uptick of foreign activity across the country. “In general more stable inventory levels probably makes buying more attractive,” Nelson continues, “just think of the practicalities of someone purchasing in the United States that lives in a different country. If things are selling in a matter of hours or days, it’s kind of impossible to even get here to look at a piece of new inventory.”

DIFFERENT BUYERS

The people doing the buying have also changed. As millennial buyers enter luxury markets in increasing numbers, this younger generation is behaving differently than its predecessors. “Their priorities are really driven by a kind of lifestyle-first mentality,” Nelson says.

A duplex penthouse at One Hyde Park in London is on the market for about $216 million.Photographer: Dimitrios Sofianopoulos/Sotheby’s

In practical terms, Nelson says that brokers around the world are seeing a younger generation gravitate towards aesthetically pleasing, historic properties, often driven by pop-cultural touchstones.

In Italy, the report cites “The White Lotus Effect,” quoting Diletta Giorgolo Spinolo, head of residential, Italy Sotheby’s International Realty, who says that immediately after the HBO show’s second season aired, which featured scenes in gorgeous historic Italian villas, “we had twice as many American and British buyers looking there.” It could be, she speculates, that “younger people understand that owning a piece of history is a status symbol. TV shows are definitely shaping their perceptions of what luxury is.”

Not only do these younger buyers want different things, Nelson continues, they’re buying them in very different ways than previous generations. “Today we have some agents that are generating 75% to 90% of their sales volume off of Instagram,” he continues. “It’s just a startling transition of how client relationships cement themselves compared to five years ago.”

INVESTMENT POTENTIAL

The luxury buyer might be changing, but the money, the report posits, seems to be coming from the same place as ever: Even the richest buyers are still asking their parents for help.

SIR’s outlook references a report from UK financial services firm Legal & General that found that 42% of UK properties purchased by people under 55 used financing from parents. Paloma Pérez Bravo, CEO of VIVA Sotheby’s International Realty in Spain, says she’s witnessed this phenomenon. “People throughout the Latin world, from Mexico, Venezuela and Miami, are happy for their adult children to study or start a company in Madrid,” she says.

The so-called Infinite House in Lisbon, Portugal was designed by the architect Marco Martinez.Source: Sotheby’s International Realty

Meanwhile, the gender makeup of homebuyers is also changing. Nelson cites a report from the National Association of Realtors that found that in 1981, 11% of homebuyers were women; couples made up 73% of the buyer pool. In 2024, 20% were women and 62% were couples.

“Single female buyers have confidence and a desire to purchase real estate outside of their romantic relationships,” Nelson says. “They certainly see the opportunity that it presents from a wealth creation standpoint.” It’s not just emancipated younger women doing the buying. It’s also “older single women who are downsizing and moving into homes that are more tailored to their needs,” the SIR report says.

“This report,” Nelson concludes, “is driven mostly by demographic changes, more than anything else. That really became apparent to us.”

Eye Candy Estates April 19, 2025

Top Interior Design Secrets | Architectural Digest Style Guide, Part 2

20 Interior Styling Secrets from AD Stylists | Part 2

Real estate photography is not editorial photography, but I love these tips.  They make any room ready for a close-up!  I hope you enjoyed the first 10.  Here the next 10!  I hope you find an idea or two that you can use:

“Go-to AD stylists Colin King, Mieke ten Have, and Michael Reynolds reveal their tried-and-true tricks for turning pretty interiors into magazine-worthy rooms

By Jennifer Fernandez

Once upon a time, designers believed that good interior photography meant stripped-down rooms devoid of personality. The fewer personal effects in a room, the better, so that designers could highlight their work and provide a blank canvas on which potential clients could project their own lifestyles and aspirations. No more. Thanks to Pinterest, Instagram, and an increased demand for digital content that can be published quickly and easily, a stylist who can make a space feel unique and authentic to the homeowner is one of the most important people to have in your inner circle.

“The most interesting interiors are the ones where you get a strong sense that the space belongs to actual human beings with a point of view,” says stylist Michael Reynolds, who has lent his touch to homes that appear in AD. “Having someone who can visually interpret the space, that is seismic.” But even just knowing the tricks of the trade can help you score big points with magazine editors and clients alike. Here, three of AD’s interior styling pros—Reynolds, Colin King, and Mieke ten Have—share 20 secrets for creating magazine-worthy compositions.

Strike a Balance

Photo by François Dischinger       

“I always try to find an expression of the polar opposite,” Reynolds says. “I always try and visually achieve a compositional state of balance. You want there to be dark and light in terms of energy.” Apparatus founders Jeremy Anderson and Gabriel Handifar’s kitchen, for example, is an exercise in contrasts, as seen in AD‘s October 2018 issue.

Play with Shadows

Photo by François Dischinger

Though this room in AD’s October 2018 issue is filled with inanimate objects, Reynolds introduced visual movement by playing with the positioning of the furnishings and art. “You can bring life into a dead room by the way you light it, with shadow and the way things are positioned,” he says

Dial It Up, or Tone It Down

Photo by François Dischinger

“You have to roll your sleeves up and do whatever the space demands,” says Reynolds. “I visually try to bring order to chaos, or sometimes I bring a bit of chaos to too much order. It’s all about creating a sense of yin and yang.” Reynolds achieved this balanced state in Jeremy Anderson and Gabriel Handifar’s eclectic dining room, as seen in AD‘s October 2018 issue.

Break It Up

Photo by Douglas Friedman

“I like to create an installation of flowers down the center of the dining table to break it up into a few different pieces. And remove some of the chairs while still making it look believable. You lose the form of the chair if there are too many. You want to find that happy space,” recommends AD photo stylist Mieke ten Have. This dining room in the April 2019 issue of AD, for instance, is housed in a former chapel and is resplendent with flowers.

Find Your “Anchovy”

Photo by Douglas Friedman

“Find that strange, offbeat, bizarre thing that you can add to your tableau. I often come back to a saying the designer Thomas Jayne once shared with me: ‘It’s like adding an anchovy to a room.’ For example, I collect bird nests near my home and put them on bookshelves,” explains Ten Have. “But your anchovy can be something that you’ve picked up on travels, something found or discovered—not something found in a store. Maybe it even clashes. I hate it when things are matchy-matchy. It’s not interesting.” The “anchovy” in this bathroom, for example, is a 19th-century painting.

Unite Textures and Colors

Photo by Douglas Friedman

“It’s always so beautiful to have vignettes with different values, whether that’s color, shape, or height, but there has to be another value that unites them, like texture or color,” says Ten Have. Take this vibrant tile-clad kitchen in Michelle Nussbaumer’s Mexico home, as seen in the April 2019 of AD.

Make Your Space Feel Lived-In

Photo by Douglas Friedman

“Don’t anesthetize a space too much,” cautions Ten Have. “I like to make a space feel like it has an author, like it has an owner. You want to feel like the rooms are inhabited, not just a backdrop.” A shaded patio in designer Michelle Nussbaumer’s Mexico home, for example, feels like a lived-in oasis.

Always Incorporate Plants

Photo by Ngoc Minh Ngo

“You can’t underestimate how important it is to have flowers or something living in a space. Just go and get some branches from right outside your door, or find something that’s living that’s of the landscape,” says Ten Have. Here, an unruly assortment of greenery brings this sumptuous dining room down to earth in AD‘s May 2018 issue.

Mind Your Color Palette

Photo by Ngoc Minh Ngo

“There are exceptions, but I do believe that colors should operate on the same wavelength: warm colors, cool colors, dusty colors,” says ten Have. “If you have a minimalist white backdrop of a room, you’re not going to have ebullient fuchsia peonies. Focus on a textural contrast rather than ostentatious color.” Take this warm, neutral color palette from the pages of AD‘s May 2018 issue.

Pile Lemons (or Artichokes) High

 

Photo by Ngoc Minh Ngo

“Artichokes are so beautiful and sculptural, and their texture is so elegant. Or I’ll do a bowl of lemons and limes for a bright pop of color—but I go big. I’ll get a big box of them,” says Ten Have. Portuguese tiles may be the star of this kitchen in AD’s May 2018 issue, but the piled-high lemons make it pop.”

Eye Candy Estates April 18, 2025

Top Interior Design Secrets | Architectural Digest Style Guide

20 Interior Styling Secrets from AD Stylists

Real estate photography is not editorial photography, but I love these tips.  They make any room ready for a close-up!  And, this is just the first 10.  Tomorrow I’ll post the next 10!  I hope you find an idea or two that you can use:

“Go-to AD stylists Colin King, Mieke ten Have, and Michael Reynolds reveal their tried-and-true tricks for turning pretty interiors into magazine-worthy rooms

By Jennifer Fernandez

Once upon a time, designers believed that good interior photography meant stripped-down rooms devoid of personality. The fewer personal effects in a room, the better, so that designers could highlight their work and provide a blank canvas on which potential clients could project their own lifestyles and aspirations. No more. Thanks to Pinterest, Instagram, and an increased demand for digital content that can be published quickly and easily, a stylist who can make a space feel unique and authentic to the homeowner is one of the most important people to have in your inner circle.

“The most interesting interiors are the ones where you get a strong sense that the space belongs to actual human beings with a point of view,” says stylist Michael Reynolds, who has lent his touch to homes that appear in AD. “Having someone who can visually interpret the space, that is seismic.” But even just knowing the tricks of the trade can help you score big points with magazine editors and clients alike. Here, three of AD’s interior styling pros—Reynolds, Colin King, and Mieke ten Have—share 20 secrets for creating magazine-worthy compositions.

Embrace Emptiness

Photo by Shade Degges

“Leave room for the space to breathe,” says stylist Colin King. “I love negative space. Every corner doesn’t need something. Quieter moments can do a better job of drawing your eye to what’s there.”

King followed this maxim when styling this minimal dining space, as seen in the March 2019 issue of AD, designed by Ashe Leandro for Seth Meyers.

Switch Things Up

Photo by Shade Degges

“Don’t be married to where things are,” King says. “Move things around. I could see a little piece of artwork in the second-floor guest bathroom and bring it into the entry and it totally transforms the space.” Here, King created a surprising art-filled vignette for Seth Meyers’ home in AD‘s March 2019 issue.

Keep Bathrooms Minimal

Photo by Shade Degges

“Unlike the kitchen, go for a more minimal display in the bathroom. It’s a cleanliness thing,” King explains. A perfect example is this marble-clad bathroom he styled for AD‘s March 2019 issue.

Go Off the Walls

Photo by Gieves Anderson

“Don’t be afraid to pull things off the wall,” says King. “The most beautiful rooms have this sense of movement, and the most poetic rooms have unexpected floating items.” Take designer and lifestyle guru Athena Calderone’s own well-balanced living space, styled by King in AD‘s November 2018 issue.

Unify Your Style

Photo by Gieves Anderson

“Kitchens and baths that look like the rest of the house are my favorite,” says King. “They shouldn’t feel disconnected from the rest of your space. Incorporate art, lamps, sculpture, a vase next to a piece of art. I love mirrors in the kitchen. They can really open up the space and impart a sense of gathering.” Here, a ’30s-era Murano fixture hangs in the master bath of Calderone’s Brooklyn townhouse, as featured in the November 2018 issue of AD. The fluted walls and ceilings are by Kamp Studios.

Swap Your Frame of Reference

Photo by Gieves Anderson

“Play with art in a way that’s not so predictable,” says King. “People get really scared of putting holes in the wall, but I love art that’s weirdly offset so it’s almost uncomfortable. I love low-hanging art, I love bigger mats to make a piece look bigger, I love leaning art for a more casual look. And don’t skimp on framing: It’s equally if not more important than the piece itself, and it makes anything—kids’ art, old charcoals—more substantial.” Here, in Calderone’s townhouse, a painting by Ethan Cook sits slightly askew atop a Jacques Adnet sideboard in the November 2018 issue of AD.

Remember Opposites Attract

Photo by Stephen Kent Johnson

“You want to create an expression of opposites coexisting by way of textures, shapes, light and dark, organic versus inorganic, animate versus inanimate,” advises AD stylist Michael Reynolds. John Derian’s East Village home, as shown in the February 2019 issue of AD, strikes just the right balance.

Have a Point of View

Photo by Stephen Kent Johnson

“Get centered and don’t be afraid to express your point of view,” says Reynolds. “The most interesting interiors are the ones where you get such a strong sense that the space belongs to actual human beings with a point of view.” A client’s collection of vintage Caucasian rugs, for example, covers the surfaces of this sitting room in the February 2019 issue of AD.

Go Au Naturel

Photo by Stephen Kent Johnson

“It’s lovely to bring in something organic or natural—a mineral, crystal, skull or bone, wood, fur, metal, stone—something organic but visually delicious and textural and brutal, in a way,” says Reynolds. “These materials speak to us on levels we can’t always articulate, but a room really feels good because it taps in on another level subconsciously.” This vignette in John Derian’s apartment, for example, is a veritable cabinet of curiosities.

Watch the Time

Photo by François Dischinger

“It’s really important to pay attention to what time of day you are shooting in. A place may sing during the evening, but if you’re shooting it during the day you’re not going to capture that.” The lighting in this AD shoot heightens the drama in the bedroom of Apparatus cofounders Jeremy Anderson and Gabriel Handifar.”

Eye Candy Estates March 27, 2025

How to Maximize Any Outdoor Space—From a Poolside to a Sky-High Patio

In many ways, I’m definitely my father’s daughter, except when it comes to gardens.  He collected roses and loved to spend most of the day tending to them.  He was not very concerned with how the garden looked.  I am the opposite.   I did not inherit his “green thumb,” however, a beautifully presented garden knocks me out.  The result, every spring I devour stories about garden design, but my execution falls short.  Hope springs eternal and this piece for AD Pro is inspiring.  I hope you enjoy it too.

Pros weigh in on making green spaces of all varieties both beautiful and flexible

Restored by designer Brad Dunning, this 1960 Donald Polsky home in Los Angeles has views to both its landscaped entry courtyard as well as its garden by Madison Cox. Photo: Yoshihiro Makino / Styling: Anita Sarsidi

No matter the size of a client’s garden, making use of every inch feels more important than ever, supported by the proven wellness benefits of spending time outside. Following prevailing interior trends, flexibility is key in outdoor spaces, which are often called upon to do double or triple duty to support relaxation, gathering, dining, and more. Whether a home has the square footage to host a compact urban backyard or a sprawling landscape, there are ways to artfully and organically integrate a client’s outdoor needs. Here, design and construction experts explain how.

 

City gardens

To maximize this 570-square-foot backyard at a home in San Francisco, landscape studio ORCA sunk a fire pit into an elevated brick patio and planted native flora to define different sitting areas. Photo: Cass Cleave

Instead of trying to impose a long list of functions onto small green spaces, “prioritize what is most important,” says Molly Sedlacek, founder of Los Angeles–based landscape studio and AD PRO Directory member ORCA. She recommends cataloguing your client’s wants and then mapping out the square footage needed to help decide what should take precedence.

When you are working with limited space, introducing a change in elevation can make petite gardens feel larger, says Sedlacek. For a 570-square-foot backyard in San Francisco, ORCA sunk a fire pit into a raised area where steps double as seating. Plantings can also help organize different zones. Creating “garden rooms” gives the desirable experience of being enveloped by nature, she adds.

It’s a sentiment shared by Michal Kapitulnik, principal at San Francisco–based landscape architecture firm and AD PRO Directory member Surfacedesign. Layering plants with dramatic structural form creates “a sense of enclosure” for smaller program areas, she says. Playing with materials and textures, too, can create the illusion of depth in a compact space.

Terraces and rooftops

Lush planters help define different areas of this Manhattan rooftop garden designed by RKLA Studio Landscape Architecture, including its outdoor kitchen. Photo: Ty Cole

If much of an outdoor space is exposed to the elements, integrating shading and heaters increases the flexibility for when it can be used, explains Gareth Mahon, partner at New York–based RKLA Studio Landscape Architecture. On terraces and rooftops, Mahon has also seen an increased demand for wellness amenities, including hot tubs, saunas, and cold plunges, which can help conjure the feeling of an oasis within a small footprint.

Strategic planting and furniture selection are vital for optimizing such spaces. “Know what plants will grow large and do the most work in terms of screening, providing shade, and adding beauty—all while limiting the size of the planters that they live in,” says Mahon. Scale is an important consideration for furnishings too. Oversized pieces, or too many of them, can negatively “affect the feel and flow” of a small space, he adds.

Estates

Redesigned by AD100 legend Jacques Grange, this 1930 Palm Beach, Florida, estate features a lush walled garden by Nievera Williams whose subtropical design centers around a banyan tree. Photo: Ngoc Minh Ngo / Styling: Mieke ten Have

When acreage is not an issue, careful design is still paramount. Larger projects require the creative delineation of different outdoor areas, says Kapitulnik, whether through soft planted thresholds or architectural devices. This method helps define a sequence of varied spaces—forming a journey through the garden and creating moments of discovery, privacy, and sociability.

For a more than five-acre project in Sonoma, California, Surfacedesign integrated a feeling of “cinematic procession” through the garden, describes Kapitulnik. “That sense of variation and adventure as you’re moving through the garden keeps it exciting, but also gives you the opportunity to have the garden flex to accommodate different numbers of people—so it never feels empty.”

Poolside

Thanks to landscape studio SMI Landscape Architecture, a lush carpet of lawn surrounds the swimming pool at a historic Palm Beach, Florida, house, decorated by AD100 talent Frank de Biasi. Photo: Kris Tamburello / Styling: Lazaro Arias

A swimming pool presents both opportunities and challenges for its surrounding space, where safety and aesthetics must be considered. To maximize its use, design firms are increasingly folding a variety of functions into the poolside area, from outdoor kitchens to fire pits.

In Arizona, “pools are an absolute must because of the hot summers,” says Brad Leavitt, president of Scottsdale-based company A Finer Touch Construction. For a recent home project in the state in collaboration with CW Architecture, TheLifestyledCo, and CF Design, the builder constructed a sleek infinity pool surrounded by plantings, seating, a fire pit, outdoor kitchen, and a sheltered outdoor entertainment area. The latter connects seamlessly to an indoor lounge through large, glazed retractable doors, blurring the inside-outside boundary. Similarly designed windows allow the indoor bar to open to the poolside area, functioning for both spaces. “Large corner multisliders and pass-through windows are a must on almost every project,” says Leavitt.

In smaller gardens, the pool itself can be a space-saving trick. “If you need entertaining space but don’t have tons of room, you can raise the pool up 14 inches and widen the edge,” says AD100 architect Barbara Bestor. “Then you have a great seating area for 50 people or so.” A well-designed outdoor space can even extend the party. —Francesca Perry

Eye Candy Estates March 24, 2025

Endangered Frank Lloyd Wright Home

I written about the “Father of American Architecture” as well a visit a number of homes he designed in Los Angeles, such as the Hollyhock House.  And, if you are ever in Scottsdale, I recommend visiting Taliesin West.  Above are a few images from my visit.

I am passionate about historic homes because they tells about who we are as well a level of craftsmanship and materials rarely found today.  With that background, you will understand why this article by Katherine McLaughlin for Architectural Digest made me a little sad:

A Frank Lloyd Wright home, Getty image on left, in Chicago has been placed on a list of the most endangered historic buildings in the city, reports Austin Weekly News, a local Windy City paper. Preservation Chicago, a nonprofit advocacy organization that protects local architecture, recently named the home, known as the J.J. Walser Jr. House, on its list of the Chicago 7 Most Endangered. Ward Miller, Preservation Chicago’s executive director, tells AD that the annual list “is our way of sharing with the public, City of Chicago officials, stakeholders, and owners our collective concerns for these structures and to spotlight them. It’s our hope that this list will encourage a good preservation outcome, and in some cases, new stewards for these troubled buildings and sites.”

Located in the Austin neighborhood on the city’s west side, the residence was designed in 1903 for Grace and J.J. Walser, a local couple. The home is finished in a tan stucco—which at the time was a unique material to use—with dark wood trim. In fact, the house appeared in a 1905 article in House Beautiful about the growing use of plaster and cement in home construction. Overhanging eaves and a hipped roof firmly establish the residence in the Prairie style, and in 1984 the home was designated a Chicago landmark. In 2013, it was listed on the National Register of Historic Places.

Built for $4,000 (about $143,000 today), it is one of the best examples of Wright’s early pursuits of inexpensive, well-designed homes. He would continue to rethink and reconfigure the Walser plan for future projects, and its influence can be seen in the Barton House in Buffalo, New York; the DeRhodes House in South Bend, Indiana; and the Horner House in Chicago, which was demolished in 1952.

The Walsers sold the property in 1910 after having lived in it for seven years. Over the next six decades, the home changed hands 11 times—simultaneously undergoing a series of renovations and remodels—before it was purchased by its most recent owners, Anne and Hurley Teague, in 1970. “Austin has experienced much disinvestment over the past half century, which has also impacted the property and its value,” Miller explains. “Its longtime owners tried their very best to maintain the home, despite the costs associated with some of the various needs and requirements, as they continued to age.”

Today, the house is in dire need of repairs. “The home is a work of art, and like many houses and buildings designed by Wright, it requires special attention for repairs and maintenance,” Miller says. “This is to be expected for any older property, but especially for those buildings designed by someone as notable and famous.”

Twenty years ago, the owners took out a reverse mortgage on the property (a loan secured by the home’s equity), but since Anne’s death in 2019 the interest from the loan has become unbearable for her heirs. The residence has remained unoccupied since. In 2024, the Frank Lloyd Wright Conservancy flagged the threats facing the home, noting that “every part of this house needs attention.” The stucco and wood trim are deteriorating and there are holes in the foundation and upper north wall. The conservancy initiated temporary enclosure efforts, which have momentarily stopped water from coming into the home

Currently, the home is going through a foreclosure suit, but the lengthy process is derailing efforts to find a new steward. “The mortgage companies do not realize the immediate and expensive repairs required to stabilize the building,” Miller adds. As a landmark building, the residence is safe from intentional demolition, but natural threats and delayed maintenance pose great risks.

“The next steps are to encourage all stakeholders and the lenders to work together to resolve the many issues tied to [the home’s] ownership,” Miller says. “We need the community to voice their support for this amazing house and be a partner in its restoration, repair, and revival. To that end, we also need the City of Chicago to assist with some of the funds needed to bring back Wright’s vision for this landmark building.”

Eye Candy Estates March 14, 2025

Frank Lloyd Wright’s LA Houses

Considered the father of modern American architecture, Frank Lloyd Wright’s work is dotted across California with the greatest concentration of buildings located in Los Angeles. Six houses are here in various condition: the-open-to-the- public and city owned Hollyhock House and its under-restoration Residence A; privately owned residences include Pasadena’s La Miniatura (the Millard House), Brentwood’s Sturges House, Hollywood’s Storer House (exquisitely restored by film producer Joel Silver in the early 2000s, he currently owns Wright’s Auldbrass Plantation in South Carolina), the highly visible Ennis House (on the left) in Los Feliz and the Stanley and Harriet Freeman House above the intersection of Highland and Franklin Avenues.

Their historic significance and pedigree is almost unmatched: Wright’s architecture was truly original and genuine, certainly not a revival, and always his own. All are exquisite landmark residences requiring special care. Hollyhock House was declared a UNESCO World Heritage Site in 2019, the only such site in Los Angeles. Due to the construction of Hollyhock House (from 1919-1921), one could argue that Southern California’s modernist movement also got a huge jumpstart, as the project famously brought architects Rudolph Schindler and Richard Neutra to Los Angeles. Lloyd Wright (FLW’s son) eventually became an important architect here as well; his work remains highly influential and includes the famed Wayfarer’s Chapel in Rancho Palos Verdes and the intriguing Sowden House on Franklin Avenue.

The city of Los Angeles owns and maintains the Hollyhock House (4800 Hollywood Blvd. – on the right) within Barnsdall Art Park. It was a gift to the city in 1927 from oil heiress and theater producer Aline Barnsdall who commissioned Wright to design a hillside complex that was to include a personal residence, two guest houses, a theater, a reflecting lake and shops lining Hollywood Blvd.

Wright and Barnsdall had crossed paths in Chicago and she was the one who eventually brought the architect west. Due to a number of factors, including cost overruns, Wright’s attention to building the Imperial Hotel in Tokyo, Japan and Barnsdall’s decision to disband her theater group, only the main house, garage and two guest residences were completed. Residence B was demolished in 1954; Residence A is currently under careful restoration by the city’s Project Restore and will reopen to the public in 2023.

To this day, Frank Lloyd Wright remains a pivotal influence on residential architecture. He was the first to devise the open plan living room and was a forerunner of expanding the relationship of a house to the external natural world. At Hollyhock House, his design intent was to create a half house, half garden. Each interior space has a corresponding exterior space connected by loggias, colonnades and/or terraces. A stylized hollyhock flower motif is found throughout the property on decorative concrete planters, on columns, on the roof finials and within the stained glass windows. Reportedly, the stalk flower was Barnsdall’s favorite.

Hollyhock House’s most recent restoration, completed in 2014, fixed perennially leaking roofs, repaired seismic related damage and brought the design back as close as possible to Wright’s original. Remarkably, the dining room table and chairs—also sporting a hollyhock motif—remained with the house. The custom living room furniture, reputedly put in storage and lost, was remade in the late 1990s following Wright’s design. He called the house an example of California Romanza, an architectural style appropriate to the temperate Southern California region.

From Hollyhock House’s west lawn, the Mayan Revival style Ennis House (2607 Glendower Ave. – on the right) is clearly in view, perched dramatically on a Los Feliz hilltop. The striking temple-like construction consists of an estimated 27,000 to 40,000 hand- made concrete blocks. A novel material in the 1920s, the blocks were made from decomposed granite culled from the site. The home’s dramatic appearance has made it popular with filmmakers, most notably in 1982’s Blade Runner.

The interlocking blocks create drama from the monumental exterior into the well-proportioned interior spaces. Most awe inspiring is the voluminous dining room that descends into the expansive living room, which is set off by beamed ceilings and concrete columns, all privatized by leaded glass windows. French doors open to a terrace that overlooks almost the entire Los Angeles basin.

I had the opportunity to study in person the 1923-1925-built, 2,884-square foot Samuel & Harriet Freeman House (1962 Glencoe Way – on the left) during my USC School of Architecture Heritage Conservation Course. The two-bedroom, one- bath home (also constructed using Wright’s textile block method) was originally designed as a salon space centered by a hearth with a semi-open kitchen plus roof decks and terraces. It could be considered the most endangered Wright site in Los Angeles: the experimental concrete blocks molded and poured on site did not last in the city’s unforgiving environment. However, like all Wright’s work, there’s an undeniable wow factor found in the unique hillside construction and the main living space’s signature, transparent, diagonal glass corners that take in vast city views.

Also in the Hollywood Hills, the John Storer House (8161 Hollywood Blvd., built in 1923) is a finely restored example of Wright’s concrete block construction. Film producer Joel Silver oversaw its multi-year restoration and even added a previously un-built pool after Wright’s design. The three-bedroom, three-bath, 2,967 square foot residence features (by today’s standards) quite small bedrooms but the soaring living room and multiple types of patterned block combine for a singular home. It remains privately owned and last sold for $6.8 million in 2015.

The Millard House in Pasadena (645 Prospect Crescent, known as La Miniatura) is Wright’s most successful concrete block project. There was no rebar used in the construction, so unlike Wright’s other experimental textile block homes, these blocks remained in relatively good condition.  There are four bedrooms, four baths in 4,230 square feet of geometrically arranged living space defined by soaring ceilings, narrow windows and again, easy access to the outside via terraces and balconies. Set in a leafy ravine, the house overlooks a small lily pond and is on the National Register of Historic Places.

Wright’s final residential commission in Los Angeles was built in 1939 for George D. Sturges under the supervision of John Lautner. It’s quite unlike Wright’s other Los Angeles residences: the modest, redwood-and-brick two-bedroom home is an example of his “Usonian” style and cantilevers out over its Brentwood hillside location. The interior features an open plan layout and at 1,200 square feet, it is indeed compact. The 21’ long redwood-clad deck brings the outside in. It is easily viewed from the street (449 N. Skyewiay Road) and remains a private residence.

Eye Candy Estates February 24, 2025

Preserving Our Heritage: A Tribute to Lost Historic Homes

The neighborhoods of Pacific Palisades, Pasadena, Altadena, and Sierra Madre have long been celebrated for their rich architectural history, with many homes showcasing iconic early 20th-century styles like Spanish Revival, Mediterranean Revival, and Mid-Century Modern. These homes not only reflected the design trends of their time, but also embodied the spirit and craftsmanship of bygone eras.

Sadly, the recent fires have taken a devastating toll on these historic landmarks, destroying many of these once-pristine structures. The loss is deeply felt, as some of these homes held significant historical value and contributed to the unique character of our communities.

While the full extent of the damage across all affected properties may never be fully documented, some of the most notable losses illustrate the diverse architectural periods that shaped our region. These homes, from elegant Spanish Revival estates to sleek Mid-Century Modern masterpieces, were not merely houses—they were living pieces of our shared history, each telling a story of the past.

As we reflect on the devastation caused by the fires, it is important to remember these homes as integral parts of our collective heritage. While the flames may have taken their physical form, their stories, craftsmanship, and the memories they hold remain a part of us.

Below is a list of some of the most notable losses:

  1. The Robert Bridge House (Top, image by Trevor Tondro/The New York Times)  Circa 1991. The Robert Bridges House was designed, built, and occupied by architect Robert Bridges. The Brutalist-style home stood on tall concrete pillars 100 feet above Sunset Blvd.

  2. The Kessler House Neutra placed the garage and children’s rooms on the upper level and the living room on the lower one. A highlight of his design is the easy conversion of the living area into quarters for an overnight guest with a sofa that could be rearranged a double bunk bed according to the Neutra Institute.

  3. 1366 E Palm, Altadena (left) Circa 1915.  Stunning example of Churrigueresque architecture was more than just a home—it was a piece of living history. Its ornate façade, inspired by the intricate Spanish Baroque style, still stands, but reports confirm that the rest of this architectural gem has been lost, according to @SaveIconicArchitecture

  4. Eric Owens Moss/708 House (Right, image courtesy The Modern House)
    Circa 1982. A 600 square foot expansion of a 1948 one story wood frame and stucco Case Study House.

  5. The Andrew McNally House (Image courtesy Susan Pickering/Compass)  Circa 1888. A nearly 7,000 square foot Queen Anne.  Residence of Andrew McNally (of Rand McNally), this historic home became a symbol of Altadena.

  6. Will Rogers House The interior of this beloved landmark was equally as significant as its exterior, offering a glimpse into the life of one of Hollywood’s most enduring figures.

These homes, each with their own distinct history and design, are irreplaceable symbols of our cultural and architectural heritage.

Julius Shulman photography archive, 1936-1997.

090-P94530
Will Rogers State Historic Park
©2016, California State Parks.
Photo by Brian Baer

Eye Candy Estates February 20, 2025

A FLURRY OF ORDERS IN RESPONSE TO THE L.A. WILDFIRES. HERE’S WHAT THEY MEAN.

THE NEW RULES ADDRESS A RANGE OF IMMEDIATE CONCERNS INCLUDING CLEANUP, REBUILDING, PRICE GOUGING AND INSURANCE

By Chava Gourarie

Image provided by owner

It’s been more than 10 days since Los Angeles began battling the worst wildfire disaster in its history, in which multiple blazes have collectively destroyed over 40,000 acres and 12,000 structures, obliterating communities and claiming at least 24 lives.

Many residents have lost their homes, while many more are still evacuated and might not be able to return to what’s left of their properties and communities in the near future.

In response, city and state officials have issued various orders to address the most immediate concerns, including cleanup, rebuilding, price gouging and insurance. California Gov. Gavin Newsom has also proposed a $2.5 billion “Marshall Plan” that will fund the recovery as well as prepare for future wildfires, and will seek approval from the state legislature.

Rebuilding

Through an executive order, Newsom suspended two environmental laws that govern how housing is built in California, the California Environmental Quality Act (CEQA) and the California Coastal Act (CCA), both of which contribute to the regulatory complexity of building in the state.

The rules apply to homes and businesses destroyed by the fires and which are looking to rebuild at up to 110% of their original size.

Los Angeles Mayor Karen Bass issued her own executive order Monday to expedite rebuilding. The city will put together a task force to establish a one-stop shop for creating permits, and will require city departments to issue them within 30 days of receiving an eligible application. Additionally, the city is waiving certain zoning hearings, and is looking to quickly approve 1,400 rental units already in the pipeline that are waiting for certifications of occupancy.

The mayor’s order also suspends a requirement that replacement homes should be all electric, while the governor has said he’s looking into suspending a state mandate that new homes utilize solar panels.

While the priority is rebuilding quickly, experts are concerned that many of the waived ordinances were designed specifically to address or mitigate environmental concerns, including wildfires. The CEQA, for example, which requires that the environmental impact of new projects be reviewed, has been cited lately in the courts to challenge projects in fire-prone areas, in regard to wildfire risk and impact on evacuation routes, according to the National Law Review. The executive order takes away an important check on new development.

Insurance Moratorium 

California’s Insurance Commissioner Ricardo Lara issued a one-year moratorium on cancellations and nonrenewals of insurance policies of homes within ZIP Codes affected by the Palisades and Eaton fires. The moratorium went into effect Jan. 7, and was expanded this week to include additional ZIP Codes surrounding the damaged areas.

“This law gives millions of Californians breathing room and hits the pause button on insurance non-renewals while people recover,” Lara said in a statement at the time.

It’s also to ensure that the insurance market doesn’t completely collapse, just as thousands of displaced residents are looking for new housing.

Real estate agent Rochelle Maize with Nourmand & Associates said neighborhoods like Santa Monica and Brentwood, which are closest to the devastated Palisades, are being overwhelmed by demand, but insurance is a sticking point. One client who was in escrow before the fires and was supposed to close this week, had to delay the closing because the insurance company pulled out.

“These companies can’t not insure houses,” Maize said. “That’ll kill the market.”

The insurance market in California was already facing serious challenges before these fires, which will cost an estimated $35 billion to $45 billion in insured damages, according to CoreLogic. Meanwhile, the state-backed option, the California Fair Plan, is severely underfunded relative to the scale of the damage.

Price Gouging

Newsom declared a state of emergency on Jan. 7, triggering a pre-existing price-gouging law in California that limits increases on lodging and construction to 10% above the baseline price the day that the state of emergency went into effect. Generally, these protections remain in place for 30 to 180 days, depending on the type of good or service, but Newsom’s orders extend the protections for a full year.

That includes price increases on rental housing, vacation rentals, hotels and motels, storage facilities and animal boarding. The law also includes construction materials and services, medical supplies and other necessities.

While the law carries a fine and possible jail sentence, there are hundreds of cases of landlords hiking rents beyond the 10% allowed. Additionally, desperate families and displaced residents are bidding up the prices of any available housing, further driving up the cost in what is already one of the country’s most expensive markets.

Maize listed a high-rise rental unit in Santa Monica this week right on the water. “Within a half hour, I had 50 phone calls,” she said. “I’ve never seen anything like it. Within a half hour, it was leased.”

While the client chose an applicant who offered the asking amount, plenty of people were ready to pay more. “They were begging,” she said. “I wish I had 100 more of these units to lease to them.”

Via Mansion Global

Life in LA February 14, 2025

Meet the Nonprofit Chronicling L.A.’s Endangered Buildings—One Instagram Post at a Time

Save Iconic Architecture co-founders Jaime Rummerfield and Ron Woodson. Image Courtesy SIA

“We want to be stewards of carrying the California spirit forward into the 21st-century.”

As California grapples with its most devastating fire season yet, the tolls are adding up: to date, more than 16,000 structures have been destroyed, 28 lives have been lost, and countless architectural treasures are hanging in the balance. Among the destroyed structures are Will Rogers’ historic ranch and the beloved Theatre Palisades. Amid this destruction, one organization is seeking to chronicle what’s been lost in an effort to build a new.

Save Iconic Architecture (SIA), co-founded by interior designers Jaime Rummerfield and Ron Woodson, has taken on the role of tracking the status of the region’s architectural gems. It’s evolved from a grassroots effort into a full-fledged 501(c)(3) non-profit organization. With advisory and board members like Peter Gurski, an Emmy Award-winning set decorator, and interior designer Jake Arnold, SIA has assembled a team of industry leaders committed to architectural preservation.

Before founding SIA in 2017, Rummerfield and Woodson spent two decades running a residential design firm, working with Hollywood elite whose homes embodied California glamour. It was during these years that they witnessed the systematic destruction of historically-significant properties.

“When you’re looking at a Paul [Revere] Williams building and [you hear that its owners are saying] ‘We’re just gonna tear it down because it’s too small’ — that careless disregard many times over—I was like ‘God, we got to do something,’” Rummerfield tells us.

The organization, born from the duo’s successful battle to preserve Richard Neutra’s Chuey House, has been fighting  to protect Los Angeles’ architectural heritage from the relentless march of development. As Rummerfield tells us, “I don’t think people realize how crazy this is, just how rapid the demolition is in Los Angeles. And then you have city officials and a government that doesn’t support preservation very well at all.”

The city’s architectural heritage includes heavy hitters of design—Wallace Neff, John Elgin Wolf, Robert Farquhar, and Williams—the first Black member of the American Institute of Architects—to name a few. Yet even homes designed by these legends aren’t automatically protected. “You would think Paul Williams would be protected just automatically, but his buildings are not,” Rummerfield says. “Unless the owner of someone from the community submits it for a landmark status, it most likely does not have it.”

They’ve turned to a simple but powerful method to amplify their message: Instagram. With more than 28,000 followers, SIA’s feed is a real-time record of California’s architectural heritage as it faces risks. The posts celebrate narrow escapes—like the Eames House’s survival of the Palisades fire—and mourn losses, such as Eric Own Moss’s pioneering deconstructivist building,  708 House.

This content is imported from instagram. You may be able to find the same content in another format, or you may be able to find more information, at their web site.

SIA are crucial watchdogs in L.A.’s preservation community. Its network of whistleblowers alerts them to potential threats, allowing them to intervene before demolition permits are issued. Recently, they witnessed a developer illegally tearing the facade off a significant Williams house—formerly home to Frank Sinatra and David Niven—to disqualify it from protection.

Now, they face an even more formidable adversary: nature itself. The recent California fires have pushed their mission into new territory. “I’ve been in a lot of meetings from City Council to architectural groups and neighborhood groups between the Palisades and Altadena, and the hardest thing is just the reality of rebuilding,” Rummerfield says.

Ash and debris cover the ground of a landscape in California. Image courtesy: Bloomberg Creative//Getty Images

The scale of devastation and daunting reality of moving toxic building materials and groundwork has prompted SIA to launch an initiative called the New California Classics, which aims to rebuild while honoring the architectural legacy of affected areas. “We want to be stewards of carrying the California spirit forward into the 21st century,” Rummerfield says.

SIA’s vision includes partnerships with innovative architects and builders who specialize in prefab homes and fireproofing techniques while maintaining high design standards. “It’s almost like the Wild West right now,” Rummerfield tells us, “but there’s also an opportunity for completely new building strategies, materials, efforts, and sustainability.”

The challenge ahead is immense, but so is the opportunity to redefine what California architecture can be.

VIA ELLE DECOR